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Lou Red's solo discography is all over the place. Over time, amateur pop scholars have discovered Parks' indescribable debut all on their own, and it's now rightly considered a misunderstood masterpiece. infamously took out a full-page ad reading 'How We Lost $35,509.50 on the Album of the Year (Damnit).' The label's own writeup was sneering: 'We sell enough Petula and Crosby and Association, we can afford a Van Dyke Parks.' Shockingly, this reverse psychology didn't move units, leaving 'Song Cycle' to wallow in bargain bins and recoup none of its expenses. A dizzying tour through pop music's disparate history (via show tunes and bluegrass and classical orchestration), there was nothing on 'Song Cycle' that was even close to being a radio single. Records tossed him in a studio to create his debut album, 'Song Cycle', and spent over three times what it would cost them to knock out a traditional rock record.

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After several run-ins with some of pop music's shiniest golden boys (i.e., suggesting Frank Sinatra record his brother's song 'Somethin' Stupid', telling Brian Wilson how to improve 'Good Vibrations', writing a hit for The Charlatans), he was pegged as the next big thing.

Van Dyke Parks was a sincere songwriter who had a deep fascination with American folk music and was not all too thrilled at what The Beatles were bringing to airwaves stateside. Here's a riddle for you: how could a debut album from a new artist possibly be considered a flop by any reasonable metric? Well, when it's advertised like one.